Madison Olivia Drops Fierce New Single "Take My Man," Inspired By A Real-Life Story

Rising Country artist Madison Olivia makes a bold, unapologetic statement with her new single, "Take My Man." Inspired by true events, the hard-hitting track blends modern country with an edgy, rock-leaning flair, delivering a confident reminder that self-respect and boundaries are non-negotiable.
Fueled by attitude and undeniable confidence, "Take My Man" channels a real-life experience into a bold, self-assured statement that stands its ground. Co-written by Madison Olivia Bisbee, Reid Sorel, and Abigayle Kompst, the song confronts crossed lines head-on, turning frustration into empowerment with a sound as fearless as its message.
"'Take My Man' came from a very real place of boundaries and self-respect," Madison shares. "I was dealing with someone who repeatedly pursued my man, fully aware he was in a relationship with me. Instead of spiraling, I turned that energy into something confident, playful, and empowering. It's a reminder - with a little attitude - that I'm the only woman who can take my man, and I'm not afraid to say it."
Confident, gritty, and unapologetic, "Take My Man" draws a playful yet firm line in the sand. The track celebrates loyalty, self-worth, and standing your ground-delivering a bold, edgy anthem for anyone who knows their value and isn't afraid to protect what's theirs.
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Born and raised in Flint, Michigan, Madison Olivia is a Michigan State University graduate who traded a path in political science for her lifelong passion for music. Now five years into her Nashville journey, she's emerged as a rising force in modern country. Following a breakout year - earning Artist to Watch recognition from LADYGUNN, Sweety High, and We Found New Music, opening for artists like Julia Cole, Nelly, Priscilla Block, Kip Moore, Parmalee, Kassi Ashton, and Dylan Scott, and performing at the Grand Ole Opry as part of the Opry Plaza Summer Concert Series - Madison is kicking off 2026 at full throttle with the release of "Take My Man," followed by a performance at CRS in March.
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