PHANTOMS OF FUTURE howl back: new album "Forever Dark" announced as first single "Werewolf"
 | Wed, October 29, 2025 at 7:42 AM |
PHANTOMS OF FUTURE return in full prowl with "Forever Dark", a new album which reintroduces the cult German outfit at their most vivid and volatile. The campaign ignites with the lead single "Werewolf," a shapeshifting surge of guitars, obsidian synths and low-light drama that captures the record's central obsessions: instinct over reason, desire as danger, and the thrill of becoming someone-or something-else when the night drops.
"'Werewolf' is the spark that lights the fire," says frontman Sir Hannes Smith. "It's about surrendering to transformation and finding out who you are when the rules fall away. 'Forever Dark' is us without apology - wide awake, electric, alive." His vocal snarl-half incantation, half invitation-rides a nocturnal pulse that feels both new and unmistakably PHANTOMS OF FUTURE, a bridge between their storied past and the sharpened present tense of the band.
Tracked and mixed at Soundlodge Studio in Rhauderfehn with producer/engineer J rg Uken, and co-produced by Smith, the album tempers menace with melody and grit with cinematic sweep. Across thirteen songs, PHANTOMS OF FUTURE fold cold-glow electronics into taut rock architecture, letting texture do as much storytelling as the lyrics. The visual world, designed by Gee with layout by LividDeath, mirrors that mood: stark, luminous, and built for after-hours. The studio lineup-Sir Hannes Smith on vocals, special instruments and lyrics; Olaf Oebels on keys, loops and samples; Peter "Pepe" Stein on bass; Viva on drums; and Anselm Tripptrap on guitars-records like a unit that has learned to leave air where the song needs to breathe, then hit with precision when the impact matters. An additional recording and mix for "I Don't Believe You," handled by Dieter Steffen and Olaf Oebels at Luna Tonstudio in L dinghausen, extends the album's palette without breaking its atmosphere.
If the title suggests darkness as destination, the music argues for darkness as a lens. "Forever Dark" isn't about resignation; it's about clarity-how the shadows can sharpen outlines and make a heartbeat louder. "Werewolf" opens that conversation with the hunger of the hunt, while the album ranges through love that feels like risk, cities that hum like machines, and the stubborn hope that outlasts the night. Hooks surface where you least expect them, choruses bloom like neon, and the rhythm section keeps everything moving forward with a sense of purpose that borders on the devotional.
The release also marks a new chapter for a band with a singular history. Across the '90s, PHANTOMS OF FUTURE built a reputation for immersive, magical-mystical shows, playing more than eight hundred gigs and sharing stages with Iggy Pop, The Stranglers, Sisters of Mercy, Sex Pistols, Cypress Hill, The Prodigy and others. They sent their track "SUN" into the German DAC Top 3 beside Metallica and Nirvana, contributed the first official Sea Shepherd soundtrack with "Sea Warrior," and unsettled television waters with "Mary Jane." After stepping out of the spotlight, they return not as a heritage act but as a creative force intent on pushing their myth forward.
To mark the occasion, PHANTOMS OF FUTURE announce a special album-release show at Piano in Dortmund on December 6, 2025, with further dates to follow.
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"Some bands chase daylight," Smith adds with a grin. "We've always preferred the hour when everything glows. That's where these songs live. That's where we live."
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