Robert Glasper Experiment
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â€œReal music is crash protected,â€ state the liner notes of Black Radio, a future landmark album by the Robert Glasper Experiment that boldly stakes out new musical territory and transcends any notion of genre, drawing from jazz, hip-hop, R&B and rock, but refusing to be pinned down by any one tag. Like an aircraftâ€™s black box for which the album is titled, Black Radio holds the truth and is indestructible. Rapper yasiin bey (Mos Def) illuminates the metaphor on the title track:
Big bird falling down on a mountain pass
Only thing to survive the crash
You wanna fly free go far and fast
Built to last
We made this craft
From Black Radio
Robert Glasper has long kept one foot planted firmly in jazz and the other in hip-hop and R&B. Heâ€™s worked extensively with Q-Tip, playing keyboards on the rapperâ€™s 2008 album The Renaissance and co-writing the album single â€œLife Is Betterâ€ which featured his label mate Norah Jones. Glasper also serves as the music director in yasiin beyâ€™s touring band, and has toured with the multi-platinum R&B singer Maxwell.
The Los Angeles Times once wrote that â€œitâ€™s a short list of jazz pianists who have the wherewithal to drop a J Dilla reference into a Thelonious Monk cover, but not many jazz pianists are Robert Glasper,â€ adding that â€œheâ€™s equally comfortable in the worlds of hip-hop and jazz,â€ and praising the organic way in which he â€œbuilds a bridge between his two musical touchstones.â€
Glasper drove that point home with his last album, 2009â€™s Double-Booked, which was split neatly in half. The first part featured his acoustic Trio, which had gathered a great deal of acclaim in the jazz world and beyond over the course of two previous Blue Note albums (2005â€™s Canvas and 2007â€™s In My Element). The second part featured his electric Experiment band and hinted at things to come, even earning the keyboardist his first GRAMMY nomination for â€œAll Matter,â€ a collaboration with the singer Bilal that was among the contenders in the Best Urban/Alternative Performance category in 2010.
With Black Radio, the Experiment band has fully arrived. Featuring Glasper on piano and Fender Rhodes, Casey Benjamin on vocoder and saxophone, Derrick Hodge on electric bass, and Chris Dave on drums, the band is plugged in and open source. Each of the band members is prodigiously talented and lives naturally in multiple musical worlds, distilling countless influences into a singular voice. â€œThatâ€™s what makes this band unique,â€ says Glasper. â€œWe can go anywhere, literally anywhere, we want to go. We all have musical ADD and we love it.â€
Black Radio also features many of Glasperâ€™s famous friends from across the spectrum of urban music, seamlessly incorporating appearances from a jaw-dropping roll call of special guests including Erykah Badu, Bilal, Lupe Fiasco, Lalah Hathaway, Shafiq Husayn (Sa-Ra), KING, Ledisi, Chrisette Michele, Musiq Soulchild, Meshell Ndegeocello, Stokley Williams (Mint Condition), and yasiin bey.
â€œI wanted to do a record that showcased the fact that we play with artists in other genres,â€ explains Glasper, adding that the album has â€œmore of an urban, hip-hop, soul kind of vibe, but the spine of it all is still a jazz spine.â€
What may be most remarkable about Black Radio is how Glasper (who also produced the record) was able to weave all these different voices into a cohesive album, avoiding the random patchwork feel that many â€œspecial guestâ€ projects suffer from. â€œThe record doesnâ€™t seem like itâ€™s a special guest record because of the relationships we all have,â€ he says. â€œThese are all friends. All the guests on the album have musical similarities.â€
That common ground and comfort level is what created the spontaneous spirit of adventure and experimentation that permeated the recording sessions, which all the band members describe as being more fun than work. Friends would drop by the studio in Los Angeles to hang out, listen to the band, get inspired, and jump into the vocal booth to lay down a track. â€œThese are all people who are known for being in another genre,â€ says Glasper, â€œbut at heart theyâ€™re jazz musicians, so theyâ€™re like â€˜Letâ€™s hit it. We donâ€™t really know whatâ€™s going to happen but letâ€™s go for it and see what happens.â€™ We all have that in common, which is why I chose the people I chose.â€
â€œYou canâ€™t pigeonhole what weâ€™re going to do or how weâ€™re going to do it,â€ Glasper declares. The Experiment wears its eclecticism on its sleeve throughout Black Radio, presenting new collaborative originals and surprising cover songs. They transform the Afro-Cuban standard â€œAfro Blueâ€ with Badu, Sadeâ€™s â€œCherish the Dayâ€ with Hathaway, David Bowieâ€™s â€œLetter to Hermioneâ€ with Bilal, and Nirvanaâ€™s â€œSmells Like Teen Spiritâ€ with Benjaminâ€™s vocoder vocal.
Glasper and Lupe Fiasco (whose recent gig together at the Blue Note Club in New York became a freestyle jam session when Kanye West and yasiin bey crashed the stage) co-wrote â€œAlways Shineâ€ which features Fiascoâ€™s lyrical flow as well as a searing chorus sung by Bilal. On â€œGonna Be Alright,â€ the R&B singer Ledisi highlights Glasperâ€™s bright melodicism by writing new lyrics for his instrumental â€œF.T.B.â€ from the In My Element album.
The track â€œAh Yeahâ€ (a co-production with Glasperâ€™s high school friend, the GRAMMY-winning producer Bryan-Michael Cox) is illustrative of the good fate that hung over the sessions. Glasper went to Atlanta to record with Musiq Soulchild at Coxâ€™s studio. At a show the night before the session Glasper ran into singer Chrisette Michele and asked her to come by the studio as well the next day. The resulting duet is one of the albumâ€™s highlights.
Reflecting back, Glasper is rightly proud of Black Radio, but also humbled and grateful for the outpouring of support and talent that it took to bring the album into being. â€œEveryone just said yes, period, weâ€™ll do it. It was smoother than I ever thought it would be to get all these great, amazing artists to come together and do this project.â€