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Perfecting the ultimate genre hybrid with "Where We Go," glimmering synths seamlessly complement the twang of the intro's electric guitar lick. Thomas Rhett's smooth delivery practically melts into Marshmello's warm production, brimming with energy and emotion in equal measure. The momentum picks up, and a head-nodding beat takes hold. This surge drives the track into the embrace of a chantable stadium-size refrain, "I ain't even had a drink but I'm backroad tipsy, lose my mind every time you kiss me, I don't care where we go as long as you're here with me." It's got the kind of universal spark that could light up clubs during last call, festivals as the sun goes down, and arenas everywhere. It's no wonder HOLLER. predicted it as "genre-blurring." The visual brings this vibe to life on screen, capturing the effortless chemistry between Thomas Rhett and Marshmello in the process.
Last year, Marshmello made waves with a series of country singles. Most recently, "Better Man Than Me" [with Hudson Westbrook] and mxdwn marveled at how, "The mix of modern production with traditional country flavor gives the song a unique character." It arrived on the heels of "Holy Water," which featured GRAMMY Award-nominated superstar Jelly Roll., American Songwriter, Billboard, and more praised, "The contrast between Jelly Roll's soulful grit and Marshmello's atmospheric beats creates a balance that feels both fresh and familiar," and Entertainment Focus applauded, "The release showcases Marshmello's ability to seamlessly traverse genres."
"Holy Water" marked the second country leaning collaboration from the genre bending artist and producer who first made history in the genre when he collaborated with Kane Brown for "Miles On It." The song took flight as "the first song ever to debut at #1 on both the Top Dance/Electronic Songs Chart and Top Country Songs Chart."  The release showcases Marshmello's ability to seamlessly traverse genres and arrives on the heels of earlier 2025 releases including "Worlds Apart" [feat. Feat. AR/CO] and "Save My Love" [with Ellie Goulding & AVAION], and "Slow Motion" [with Jonas Brothers].
"Where We Go" highlights Thomas Rhett's continued evolution as a genre-defying force, seamlessly blending country storytelling with Marshmello's cutting-edge production. The song follows his current Top 5 single "Ain't A Bad Life (ft. Jordan Davis)" and the recent release of "Georgia On My Mind," a soulful reinterpretation of the timeless classic that is featured in ESPN's official campaign for the Masters Tournament. The track highlights his signature blend of modern country and classic influence while honoring both the song's legacy and his deep connection to his home state.
Thomas Rhett is gearing up to bring his "must-watch" (OutKick) live show back to the road this summer with THE SOUNDTRACK TO LIFE TOUR, a 20+ city run showcasing his signature high-energy performances. The tour will feature a rotating lineup of rising acts including ERNEST, Kashus Culpepper, Zach John King, Vincent Mason and Conner Smith, with Emily Ann Roberts opening each night. He'll kick off the tour with a very special co-headlining show with longtime friend Niall Horan at Nashville's GEODIS Park and the two will appear again at Hersheypark Stadium later in the month; the shows mark a milestone moment for both artists, as their first stadium performances together and the first-ever headline concerts at GEODIS Park.
ABOUT MARSHMELLOGRAMMY Award-nominated artist and producer Marshmello has generated 50 Billion streams, garnered diamond certification worldwide, and broken records across styles as diverse as dance music, pop, hip-hop, R&B, rock, and country. The only thing as recognizable as his signature mask is his seamlessly chameleonic production style, which can fit in any lane (while transcending all of them). Audiences immediately fell in love with Marshmello's magnetically melodic reinvention of dance music. Since his emergence in 2015, he skyrocketed to the forefront of popular music by distinguishing himself as the rare outlier nimble enough to craft a hit with Halsey, Jonas Brothers, the late Juice WRLD, Dove Cameron, Demi Lovato, Khalid, P!nk, Sting, Brent Faiyaz, Bastille, and A Day To Remember. Among a myriad of highlights, he received a GRAMMY Award nod in the category of "Best Dance Electronic Album" for Shockwave. 2023 saw him drop the Latin album Sugar Papi sweetened by smashes "El Merengue" [with Manuel Turizo], "HARLEY QUINN" [with Fuerza Regida], and more. During 2024, he made history when he linked up with Kane Brown for "Miles On It." It took flight as "the first song ever to debut at #1 on both the Top Dance/Electronic Songs Chart and Top Country Songs Chart." There are always new paths to tread, ground to break, and levels to reach though. He continues to push boundaries in 2026 releasing "his version of country" and dropping  "Where We Go" [with Thomas Rhett] and more to come

With "Heal Me To Death," Any Given Day deliver one of their most intense and emotionally charged tracks to date - a crushing metalcore anthem that blurs the line between healing and harm.Driven by razor-sharp riffs, thunderous breakdowns, and a haunting melodic undercurrent, the song dives deep into the toxicity of control disguised as care. "Heal Me To Death" explores the suffocating weight of relationships where love becomes manipulation, and salvation turns into destruction. It's a raw confrontation of inner conflict and external pressure - where the promise of being "fixed" comes at the cost of losing yourself.Lyrically, the band paints a dark and vivid picture: golden fa ades hiding inner demons, faith twisted into force, and words that cut deeper than wounds. The recurring line "Pour your cure like poison, watch me bleed" encapsulates the track's core - a powerful metaphor for the danger of imposed healing and the violence of misunderstood intentions.Balancing aggression with vulnerability, Any Given Day showcase their signature dynamic sound, seamlessly shifting between brutal heaviness and soaring emotional intensity. The result is a track that is as cathartic as it is devastating - a battle cry for autonomy, identity, and the right to break free from toxic salvation."Heal Me To Death" isn't just a song - it's a statement: sometimes the most dangerous thing isn't the pain itself, but the people who claim to take it away. Catch the band live: October 31, 2026 - Kaiserslautern, Germany - Kulturzentrum KammgarnNovember 1, 2026 - Haarlem, Netherlands - PatronaatNovember 3, 2026 - London, United Kingdom - The UnderworldNovember 5, 2026 - Eindhoven, Netherlands - DynamoNovember 6, 2026 - Cologne, Germany - Kantin

Since 2015, Sweden's own Rockett Love has been a high-voltage reminder that arena rock didn't just survive - it evolved. Stripping away the filler and cranking the heat, the band has become the undisputed heavyweights of Swedish AOR and melodic hard rock.
Exploding onto the scene under vocalist Daniel Samuelsson and riff-master Stefan Westerlund, Rockett Love was born with a dirty mission: to take the "feel-good" roar of the 80s and inject it with a lethal dose of modern adrenaline. Drawing blood from the same veins as Def Leppard and Bon Jovi, they deliver skyscraper harmonies that don't just invite you to the party-they demand it.
The rocket is fueled. Rockett Love is proud to announce their latest sonic assault, "Wired for Sound," set to storm the airwaves in June 2026 via Pride & Joy Music. This record is a high-speed collision of classic rock grit and futuristic precision. It's louder, hungrier, and more electrifying than anything they've done before-a manifesto for those who live at maximum volume. From the 2017 debut „Grab The Rocket" to the 2019 sonic boom „Greetings from Rocketland", and the 2023 „Galactic Circus", the band has proven they don't just play rock 'n' roll; they own it. With a hit list featuring the signature roar of "Rocket Love" and the relentless "Never Surrender," this band is built for the stage.
Rockett Love is the sweat, the leather, and the roar of a thousand voices. They are rock 'n' roll as it was meant to be: loud, proud, and absolutely unstoppable

As Everything Unfolds release their highly-anticipated new album, DID YOU ASK TO BE SET FREE?, via Century Media.
"People often reference and say that their album has been a journey process for them in their experiences, a form of therapy if you will," says As Everything Unfolds frontwoman Charlie Rolfe. "I've never related to something so deeply as I have with this record. This album's process started in an extremely positive part of my life, we started writing the record, things were going well, music was flowing we had about ten demos at this point, I was living in harmony and happiness, finally starting to feel at peace in life with my bandmates, friends, family and partner, only to be hit with the shift of losing more than I can even describe."
"I had to move from my home, drugs/alcohol were corrupting people around me," she continues. "Alongside this my boyfriend, and fellow bandmate Jamie, passed away. Going through all of this trauma and grief left me in a state of numbness, losing all sense of myself. After some time we decided to tackle writing again, I started journaling after my therapy sessions a lot and turning those entries into lyrics, and it rolled from there into a lot of the songs you hear on this record. Given the nature of Jamie's passing and other traumas happening midway through the process, you really get the sense of change, the sonic and lyrical dynamic shift in the music, and as hard as it is, to listen to some of the tracks, knowing what I'd been through, knowing that some tracks Jamie had either heard or he hadn't, even now it's still hard to process, but that process, that movement and passage of time it's what makes it a journey of our experiences."
"I found a lot of comfort in my passions during my time alone. I spent a lot of time waiting for days to go by, experiencing what I now know to be maladaptive daydreaming, just to get myself out of my own life and human experience whenever I could. I started to play with the idea of writing this record through the perspective of escapism, mirroring my own escape from trauma into daydreams, movies and music. Films like Blade Runner, Donnie Darko, Bram Stoker's Dracula and The Shining allowed me to express my thoughts and feelings with a protective barrier, pretending to be someone else rather than living these experiences in real time as Charlie."
"I was really seeking new musical inspiration after our second album. Reading 'The Creative Act' by Rick Rubin changed the way I wrote melodies and lyrics, and how I viewed creativity as a whole. I spent a lot of time writing subconsciously while driving, walking or cooking. For example, I was blasting the Gasoline instrumental demo while cooking and wrote the whole chorus almost in one take, voice noting it immediately, and it didn't change much from there to the final version."
"I ended up going backwards to my teenage years for inspiration, pulling from music I feel so connected to like My Chemical Romance, Thirty Seconds to Mars' A Beautiful Lie and Flyleaf's Memento Mori, alongside the New Wave and New Romantic music I was brought up on. Bands like Depeche Mode, Tears for Fears, Duran Duran and Adam & The Ants influenced the album visually, while peers like Vukovi, Rivals, Enter Shikari, The Throwaway Scene and South Arcade helped shape it in the present." 

DEVIL'S TRAIN were aptly described on Laut.de as "hard rock for convertibles - or for pole dancing," because this all-star lineup definitely brought the heat. Their self-titled debut from 2012 was bursting with adrenaline and testosterone, hard-hitting rhythms, and razor-sharp riffs. Above it all towered the voice of R.D. Liapakis, the current frontman of the MICHAEL SCHENKER GROUP and the heavy metal institution MYSTIC PROPHECY. With his raw voice, the Greek-born singer gave the 12 tracks the necessary kick and literally sent grenades like "Roll The Dice," the opening "Fire And Water," and the band anthem "Devil's Train" into ecstasy. With "American Woman", DEVIL'S TRAIN paid tribute to the rock 'n' roll of the 70s, which all the musicians have in their blood. The necessary groove for DEVIL'S TRAIN is provided by drumming legend J rg Michael (ex-SAXON, ex-STRATOVARIUS, ex-RUNNING WILD, among others) and Finn Jari Kainulainen (MASTERPLAN, ex-EVERGREY, ex-STATOVARIUS), while guitarist Lakis Ragazas (later MYSTIC PROPHECY, among others) strummed the strings and completed the devilish quartet. On June 19, however, the legendary debut album will be released for the first time on devilish blood-red colored vinyl and as a re-release in a CD jewel case. Anyone who has missed out on this piece of hard rock history to date and wants to do something good for their record and vinyl player should mark the date in red

Swedish royal metal band REXORIA proudly releases their new single "Heart of Sorrow," taken from their upcoming album, 'Fallen Dimension,' set for release on May 8th via Sound Pollution / Black Lodge Records. The new track features Johnny Gioeli (Axel Rudi Pell / Hardline), uniting two distinctive metal voices in a collaboration aimed squarely at fans of melodic metal."Heart of Sorrow" is a grand, emotionally charged power ballad that fuses strong melodic hooks with heavy guitars, driven by a commanding vocal performance at it's core. The interplay between Frida and Johnny Gioeli's voices creates a striking dynamic: Gioeli's raw, raspy delivery brings grit and weight, while Frida's clear and emotive vocals soar above, adding depth, intensity, and power.
The single is accompanied by a cinematic music video, centered on visual storytelling and a strong aesthetic direction that reflects the band's evolving image and artistic vision.With "Heart of Sorrow," REXORIA and Johnny Gioeli deliver a power ballad that leaves a lasting impression - emotional, dramatic, and impossible to ignore.
With their upcoming fourth studio album, REXORIA returns with their signature Royal Metal sound, delivering towering choruses, vivid storytelling, emotional depth, and raw, commanding vocals. The follow-up to the acclaimed 'Imperial Dawn,' also released via Black Lodge Records, the band takes a bold and focused step forward.
'Fallen Dimension' spans a wide emotional and thematic spectrum, from social commentary and war-driven narratives to heartfelt power ballads and uplifting, hook-laden anthems. Built on atmosphere and intensity, the album captures the unmistakable REXORIA spirit at its most refined.
A standout element of the record is its two exclusive duets, featuring guest performances from Mike Andersson (Tungsten) and Johnny Gioeli (Axel Rudi Pell / Hardline), adding further depth and dynamic range.
Mixed and mastered by Jonas Kjellgren (Sabaton, Bloodbound, Raubtier, Dynazty), 'Fallen Dimension' features 11 powerful tracks that capture the band's evolved identity and sharpened musical vision

Ella Langley disclosed the origin of her distinctive fringe during a new appearance on Theo Von's podcast. The 26-year-old performer explained her trademark curly brown bangs resulted from a DIY hair disaster. "I have a bad tendency to cut my own hair," Langley told Von. "Most of the time it goes bad - that's how I got bangs in the first place." She described cutting her fringe minutes before a performance, creating an awkward piece sticking upward. When preparing cover art for her debut record, creative director Caylee Robillard responded negatively to the look. "So I just told her full send it with the bangs. I don't think I can ever change it. It changed my life a little bit, I would say," Langley shared. The singer releases her new album Dandelion today, followed by The Dandelion Tour through August. 

Zach Top has announced summer extension dates for his "Cold Beer & Country Music" headline tour, running through September 1st. The newly added shows include stops in Boise, Pittsburgh, Orange Beach, and other cities across the United States and Canada. Special guests joining various dates include Marcus King Band, Lukas Nelson, Marty Stuart and His Fabulous Superlatives, Jake Worthington, Cole Goodwin, and Wyatt McCubbin. Pre-sale tickets begin April 15th, with general sales starting April 17th. Top recently earned five Academy of Country Music Award nominations, including Male Artist of the Year and Album of the Year for "Ain't In It For My Health." Before the summer dates, he will perform at CMA Fest and select stadium shows with George Strait and Chris Stapleton.

"Cold Beer & Country Music" Newly Added Dates:June 5-Durant, OK-Choctaw Grand Theater?June 12-Orange Beach, AL-The Wharf Amphitheater?June 20-Columbia, MD-Merriweather Post Pavilion July 9-West Valley City, UT-Utah First Credit Union Amphitheatre=July 10-Boise, ID-ExtraMile Arena=July 15-Saskatoon, SK-SaskTel Centre?July 16-Edmonton, AB-Rogers Place?August 7-Ottawa, ON-Canadian Tire Centre August 8-Canandaigua, NY-CMAC August 13-Wantagh, NY-Northwell at Jones Beach Theater˜August 20-Pittsburgh, PA-PPG Paints Arena8August 21-Allentown, PA-PPL CenterAugust 22-Bangor, ME-Maine Savings Amphitheater8August 28-Gilford, NH-BankNH Pavilion8
?with special guest Cole Goodwin with special guest Wyatt McCubbin=with special guest Jake Worthington?with special guest Lukas Nelson˜with special guest Marty Stuart and His Fabulous Superlatives8with special guest Marcus King Ban

Pretty Reckless frontwoman Taylor Momsen experienced an unusual incident while supporting AC/DC on their Power Up Tour, this time involving a venomous spider bite in Mexico City. "So it wouldn't be an AC/DC tour if I didn't get bit," Momsen posted on Instagram. "This time a massive spider decided to take a chunk out of me and its venom did a number on my system so had to have the wonderful doctors in Mexico come and deliver quite the shot before the show last night." The incident follows a similar occurrence in May 2024 when a bat bit Momsen onstage in Seville, Spain during "Witches Burn." Heart's Nancy Wilson advised her to "flush out your system with lots of water and follow all the doctors protocol exactly." The Pretty Reckless continues touring with AC/DC through September 29th in Philadelphia, followed by their own dates concluding December 3rd in Glasgow, U.K. 

See the full list of nominees below.
ENTERTAINER OF THE YEAR
Luke Combs
Jelly Roll
Cody Johnson
Megan Moroney
Chris Stapleton
Morgan Wallen
Lainey Wilson

FEMALE ARTIST OF THE YEAR
Kelsea Ballerini
Miranda Lambert
Ella Langley
Megan Moroney
Lainey Wilson

MALE ARTIST OF THE YEAR
Luke Combs
Riley Green
Cody Johnson
Chris Stapleton
Zach Top

GROUP OF THE YEAR
49 Winchester
Flatland Cavalry
Old Dominion
Rascal Flatts
The Red Clay Strays

DUO OF THE YEAR
Brooks & Dunn
Brothers Osborne
Dan + Shay
Muscadine Bloodline
Thelma & James

NEW FEMALE ARTIST OF THE YEAR
Avery Anna
Mackenzie Carpenter
Dasha
Caroline Jones
Emily Ann Roberts

NEW MALE ARTIST OF THE YEAR
Gavin Adcock
Vincent Mason
Shaboozey
Hudson Westbrook
Tucker Wetmore

ALBUM OF THE YEAR
Ain't In It For My Health - Zach Top
Cherry Valley - Carter Faith
 Don't Mind If I Do (Deluxe) - Riley Green
 I'm The Problem - Morgan Wallen
Parker McCollum - Parker McCollum

SONG OF THE YEAR
A Song To Sing - Miranda Lambert & Chris Stapleton
Songwriters: Chris Stapleton, Miranda Lambert, Jenee Fleenor, Jesse Frasure
Am I Okay? - Megan Moroney
Songwriters: Megan Moroney, Luke Laird, Jessie Jo Dillon
Choosin' Texas - Ella Langley
Songwriters: Ella Langley, Luke Dick, Miranda Lambert, Joybeth Taylor
I Never Lie - Zach Top
Songwriters: Zach Top, Carson Chamberlain, Tim Nichols
Somewhere Over Laredo - Lainey Wilson
Songwriters: Lainey Wilson, Trannie Anderson, Dallas Wilson, Andy Albert, Harold Arlen & Yip Harburg

SINGLE OF THE YEAR
6 Months Later - Megan Moroney
Choosin' Texas - Ella Langley
I Never Lie - Zach Top
Somewhere Over Laredo - Lainey Wilson
The Fall - Cody Johnson

MUSIC EVENT OF THE YEAR
A Song To Sing - Miranda Lambert & Chris Stapleton
Amen - Shaboozey & Jelly Roll
Don't Mind If I Do - Riley Green feat. Ella Langley
Trailblazer - Reba McEntire, Miranda Lambert, Lainey Wilson
You Had To Be There - Megan Moroney & Kenny Chesney

VISUAL MEDIA OF THE YEAR
6 Months Later - Megan Moroney
A Song To Sing - Miranda Lambert & Chris Stapleton
Cuckoo -Stephen Wilson, Jr.
Somewhere Over Laredo - Lainey Wilson
The Fall - Cody Johnson

SONGWRITER OF THE YEAR
Jessie Jo Dillon
Ashley Gorley
Charlie Handsome
Chase McGill
Blake Pendergrass

ARTIST-SONGWRITER OF THE YEAR
Luke Combs
Riley Green
Ella Langley
Megan Moroney
Morgan Walle