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Justin Moore's "Time's Ticking" has claimed the top position on Billboard's Country Airplay chart following a remarkable 67-week ascent. The single moved up two spots on the April 11th chart listing, marking Moore's 11th number-one hit. According to Billboard, nearly 70% of Moore's singles have reached the Country Airplay top 10, with 16 achieving number-one status. "Justin Moore is a consistent country radio hitmaker, and this song is no exception," said Ashley Sidoti of Blue Highway Records. "His music stays true to the core, no matter where the genre is swaying." Originally released on YouTube in October 2024, the track has accumulated over 850,000 streams. Moore expressed gratitude for his success, telling Country Now "to have 20+ top ten records and 13 number ones is just ridiculous." The solo version climbed charts after the original duet with Dierks Bentley was released

Former Slipknot drummer Jay Weinberg has opened up about his 2023 departure from the metal band after a decade-long tenure. Speaking to Rolling Stone, Weinberg suggested he "maybe became a scapegoat" when the band made what they called a "creative decision" to remove him. The 33-year-old musician, son of E Street Band drummer Max Weinberg, dedicated ten years to Slipknot before his unexpected exit. Since leaving, Weinberg has toured with Suicidal Tendencies, recorded with Fuming Mouth, and launched new band Portraits of an Apparition. He's also partnering with Reverb to sell gear from his past, including drum kits used with both the E Street Band and Slipknot. Weinberg began his career at 18, filling in for his father on Bruce Springsteen's European stadium tour. He and his wife are expecting their first child, prompting him to build a home studio in Nashville

Kacey Musgraves described a "craziest f-king orb UFO experience" during a recent flight from Fort Worth, Texas, to Nashville in an Instagram Story post Friday. Musgraves said she observed three orbs that "didn't look normal" and were "trailing each other" for approximately 45 minutes. "These orbs were not moving like any craft we can control. They were intermittently coming and going, forming triangle patterns. Sometimes they would get extremely bright and change color, change size," she explained. Her manager Bobby also witnessed the objects, which allegedly followed their flight from the Little Rock area to Nashville. After landing, pilots told Musgraves "We've seen these every single night" and confirmed other pilots report similar sightings. She shared grainy video footage of the lights captured during the flight. 

No Doubt guitarist Tom Dumont announced Saturday he has been diagnosed with early onset Parkinson's disease, less than a month before the band's Las Vegas Sphere residency begins on May 6th. In a social media video, Dumont said he experienced symptoms years ago and underwent extensive testing with doctors and neurologists before receiving his diagnosis. "It's been a struggle, it's a struggle every day," the guitarist who joined No Doubt in 1988 stated. Despite his condition, Dumont confirmed he will perform at the upcoming shows. "The good news is I can still play music, I can still play guitar. I've been doing really well," he said. Dumont hopes sharing his story will reduce stigma while raising awareness for prevention and research. Bandmates showed support, with drummer Adrian Young calling him "my hero" and bassist Tony Kanal expressing love "beyond words.

Justin Bieber headlined Coachella's main stage on Saturday night in a 34-song performance that featured very little production, and unconventional elements like playing along with old YouTube videos of himself. The set heavily favored tracks from his 2025 albums Swag and Swag II, with classic hit "Baby" not appearing until 50 minutes into the show. Between songs, Bieber stayed glued to his laptop screen, claiming he was responding to real-time online chat feedback. Highlights included guest appearances by Kid Laroi and Tems, plus an extended segment of Bieber scrolling through viral YouTube videos, including "Deez Nutz" and "Double Rainbow." 
Sabrina Carpenter issued an apology after mistaking a Zaghrouta, a celebratory Arabic chant, for yodeling during her Friday night Coachella headlining set. During her performance, an audience member voiced the traditional chant, prompting Carpenter to say "I think I heard someone yodel. Is that what you're doing? I don't like it." When the attendee explained "It's my culture," Carpenter responded "That's your culture, is yodeling?" After learning it was "a call of celebration," Carpenter replied "Is this Burning Man? What's going on? This is weird." The interaction sparked backlash on social media, with critics calling her response insensitive and Islamophobic. Carpenter apologized on X Saturday, writing "my apologies i didn't see this person with my eyes and couldn't hear clearly. my reaction was pure confusion, sarcasm and not ill intended. could have handled it better! now i know what a Zaghrouta is!" 
Anyma's late-night Coachella set was canceled Friday due to strong wind conditions affecting his stage setup. The EDM artist was scheduled to perform at midnight on the main stage, following Sabrina Carpenter's headlining set. Festival organizers announced the cancellation around 12:15 a.m., citing safety concerns. "Due to strong wind conditions affecting Anyma's stage build, he is unable to perform," organizers and Anyma stated on social media. "Coachella & Anyma have made this decision together with your safety as the priority." Anyma apologized to fans, saying "We've done everything in our control to build the show I've worked an entire year on. Safety always comes first." 

Britney Spears has entered a treatment facility voluntarily. The 44-year-old pop star's team provided no additional details about the location or reasons for seeking treatment. TMZ reported she checked into a U.S. rehab facility for substance abuse issues, citing sources with direct knowledge. Spears was arrested in March on suspicion of driving under the influence in Ventura County, California. Her representative called the incident "completely inexcusable" and said it could mark "the first step in long overdue change that needs to occur in Britney's life." Public concern has grown over her frequent social media posts showing her dancing alone at home

Perfecting the ultimate genre hybrid with "Where We Go," glimmering synths seamlessly complement the twang of the intro's electric guitar lick. Thomas Rhett's smooth delivery practically melts into Marshmello's warm production, brimming with energy and emotion in equal measure. The momentum picks up, and a head-nodding beat takes hold. This surge drives the track into the embrace of a chantable stadium-size refrain, "I ain't even had a drink but I'm backroad tipsy, lose my mind every time you kiss me, I don't care where we go as long as you're here with me." It's got the kind of universal spark that could light up clubs during last call, festivals as the sun goes down, and arenas everywhere. It's no wonder HOLLER. predicted it as "genre-blurring." The visual brings this vibe to life on screen, capturing the effortless chemistry between Thomas Rhett and Marshmello in the process.
Last year, Marshmello made waves with a series of country singles. Most recently, "Better Man Than Me" [with Hudson Westbrook] and mxdwn marveled at how, "The mix of modern production with traditional country flavor gives the song a unique character." It arrived on the heels of "Holy Water," which featured GRAMMY Award-nominated superstar Jelly Roll., American Songwriter, Billboard, and more praised, "The contrast between Jelly Roll's soulful grit and Marshmello's atmospheric beats creates a balance that feels both fresh and familiar," and Entertainment Focus applauded, "The release showcases Marshmello's ability to seamlessly traverse genres."
"Holy Water" marked the second country leaning collaboration from the genre bending artist and producer who first made history in the genre when he collaborated with Kane Brown for "Miles On It." The song took flight as "the first song ever to debut at #1 on both the Top Dance/Electronic Songs Chart and Top Country Songs Chart."  The release showcases Marshmello's ability to seamlessly traverse genres and arrives on the heels of earlier 2025 releases including "Worlds Apart" [feat. Feat. AR/CO] and "Save My Love" [with Ellie Goulding & AVAION], and "Slow Motion" [with Jonas Brothers].
"Where We Go" highlights Thomas Rhett's continued evolution as a genre-defying force, seamlessly blending country storytelling with Marshmello's cutting-edge production. The song follows his current Top 5 single "Ain't A Bad Life (ft. Jordan Davis)" and the recent release of "Georgia On My Mind," a soulful reinterpretation of the timeless classic that is featured in ESPN's official campaign for the Masters Tournament. The track highlights his signature blend of modern country and classic influence while honoring both the song's legacy and his deep connection to his home state.
Thomas Rhett is gearing up to bring his "must-watch" (OutKick) live show back to the road this summer with THE SOUNDTRACK TO LIFE TOUR, a 20+ city run showcasing his signature high-energy performances. The tour will feature a rotating lineup of rising acts including ERNEST, Kashus Culpepper, Zach John King, Vincent Mason and Conner Smith, with Emily Ann Roberts opening each night. He'll kick off the tour with a very special co-headlining show with longtime friend Niall Horan at Nashville's GEODIS Park and the two will appear again at Hersheypark Stadium later in the month; the shows mark a milestone moment for both artists, as their first stadium performances together and the first-ever headline concerts at GEODIS Park.
ABOUT MARSHMELLOGRAMMY Award-nominated artist and producer Marshmello has generated 50 Billion streams, garnered diamond certification worldwide, and broken records across styles as diverse as dance music, pop, hip-hop, R&B, rock, and country. The only thing as recognizable as his signature mask is his seamlessly chameleonic production style, which can fit in any lane (while transcending all of them). Audiences immediately fell in love with Marshmello's magnetically melodic reinvention of dance music. Since his emergence in 2015, he skyrocketed to the forefront of popular music by distinguishing himself as the rare outlier nimble enough to craft a hit with Halsey, Jonas Brothers, the late Juice WRLD, Dove Cameron, Demi Lovato, Khalid, P!nk, Sting, Brent Faiyaz, Bastille, and A Day To Remember. Among a myriad of highlights, he received a GRAMMY Award nod in the category of "Best Dance Electronic Album" for Shockwave. 2023 saw him drop the Latin album Sugar Papi sweetened by smashes "El Merengue" [with Manuel Turizo], "HARLEY QUINN" [with Fuerza Regida], and more. During 2024, he made history when he linked up with Kane Brown for "Miles On It." It took flight as "the first song ever to debut at #1 on both the Top Dance/Electronic Songs Chart and Top Country Songs Chart." There are always new paths to tread, ground to break, and levels to reach though. He continues to push boundaries in 2026 releasing "his version of country" and dropping  "Where We Go" [with Thomas Rhett] and more to come

With "Heal Me To Death," Any Given Day deliver one of their most intense and emotionally charged tracks to date - a crushing metalcore anthem that blurs the line between healing and harm.Driven by razor-sharp riffs, thunderous breakdowns, and a haunting melodic undercurrent, the song dives deep into the toxicity of control disguised as care. "Heal Me To Death" explores the suffocating weight of relationships where love becomes manipulation, and salvation turns into destruction. It's a raw confrontation of inner conflict and external pressure - where the promise of being "fixed" comes at the cost of losing yourself.Lyrically, the band paints a dark and vivid picture: golden fa ades hiding inner demons, faith twisted into force, and words that cut deeper than wounds. The recurring line "Pour your cure like poison, watch me bleed" encapsulates the track's core - a powerful metaphor for the danger of imposed healing and the violence of misunderstood intentions.Balancing aggression with vulnerability, Any Given Day showcase their signature dynamic sound, seamlessly shifting between brutal heaviness and soaring emotional intensity. The result is a track that is as cathartic as it is devastating - a battle cry for autonomy, identity, and the right to break free from toxic salvation."Heal Me To Death" isn't just a song - it's a statement: sometimes the most dangerous thing isn't the pain itself, but the people who claim to take it away. Catch the band live: October 31, 2026 - Kaiserslautern, Germany - Kulturzentrum KammgarnNovember 1, 2026 - Haarlem, Netherlands - PatronaatNovember 3, 2026 - London, United Kingdom - The UnderworldNovember 5, 2026 - Eindhoven, Netherlands - DynamoNovember 6, 2026 - Cologne, Germany - Kantin

Since 2015, Sweden's own Rockett Love has been a high-voltage reminder that arena rock didn't just survive - it evolved. Stripping away the filler and cranking the heat, the band has become the undisputed heavyweights of Swedish AOR and melodic hard rock.
Exploding onto the scene under vocalist Daniel Samuelsson and riff-master Stefan Westerlund, Rockett Love was born with a dirty mission: to take the "feel-good" roar of the 80s and inject it with a lethal dose of modern adrenaline. Drawing blood from the same veins as Def Leppard and Bon Jovi, they deliver skyscraper harmonies that don't just invite you to the party-they demand it.
The rocket is fueled. Rockett Love is proud to announce their latest sonic assault, "Wired for Sound," set to storm the airwaves in June 2026 via Pride & Joy Music. This record is a high-speed collision of classic rock grit and futuristic precision. It's louder, hungrier, and more electrifying than anything they've done before-a manifesto for those who live at maximum volume. From the 2017 debut „Grab The Rocket" to the 2019 sonic boom „Greetings from Rocketland", and the 2023 „Galactic Circus", the band has proven they don't just play rock 'n' roll; they own it. With a hit list featuring the signature roar of "Rocket Love" and the relentless "Never Surrender," this band is built for the stage.
Rockett Love is the sweat, the leather, and the roar of a thousand voices. They are rock 'n' roll as it was meant to be: loud, proud, and absolutely unstoppable

As Everything Unfolds release their highly-anticipated new album, DID YOU ASK TO BE SET FREE?, via Century Media.
"People often reference and say that their album has been a journey process for them in their experiences, a form of therapy if you will," says As Everything Unfolds frontwoman Charlie Rolfe. "I've never related to something so deeply as I have with this record. This album's process started in an extremely positive part of my life, we started writing the record, things were going well, music was flowing we had about ten demos at this point, I was living in harmony and happiness, finally starting to feel at peace in life with my bandmates, friends, family and partner, only to be hit with the shift of losing more than I can even describe."
"I had to move from my home, drugs/alcohol were corrupting people around me," she continues. "Alongside this my boyfriend, and fellow bandmate Jamie, passed away. Going through all of this trauma and grief left me in a state of numbness, losing all sense of myself. After some time we decided to tackle writing again, I started journaling after my therapy sessions a lot and turning those entries into lyrics, and it rolled from there into a lot of the songs you hear on this record. Given the nature of Jamie's passing and other traumas happening midway through the process, you really get the sense of change, the sonic and lyrical dynamic shift in the music, and as hard as it is, to listen to some of the tracks, knowing what I'd been through, knowing that some tracks Jamie had either heard or he hadn't, even now it's still hard to process, but that process, that movement and passage of time it's what makes it a journey of our experiences."
"I found a lot of comfort in my passions during my time alone. I spent a lot of time waiting for days to go by, experiencing what I now know to be maladaptive daydreaming, just to get myself out of my own life and human experience whenever I could. I started to play with the idea of writing this record through the perspective of escapism, mirroring my own escape from trauma into daydreams, movies and music. Films like Blade Runner, Donnie Darko, Bram Stoker's Dracula and The Shining allowed me to express my thoughts and feelings with a protective barrier, pretending to be someone else rather than living these experiences in real time as Charlie."
"I was really seeking new musical inspiration after our second album. Reading 'The Creative Act' by Rick Rubin changed the way I wrote melodies and lyrics, and how I viewed creativity as a whole. I spent a lot of time writing subconsciously while driving, walking or cooking. For example, I was blasting the Gasoline instrumental demo while cooking and wrote the whole chorus almost in one take, voice noting it immediately, and it didn't change much from there to the final version."
"I ended up going backwards to my teenage years for inspiration, pulling from music I feel so connected to like My Chemical Romance, Thirty Seconds to Mars' A Beautiful Lie and Flyleaf's Memento Mori, alongside the New Wave and New Romantic music I was brought up on. Bands like Depeche Mode, Tears for Fears, Duran Duran and Adam & The Ants influenced the album visually, while peers like Vukovi, Rivals, Enter Shikari, The Throwaway Scene and South Arcade helped shape it in the present."